Monday, November 28, 2016

After the Fact: Starlight Glimmer

It's been a whole year since The Cutie Re-Mark aired, and since then, there's been a big topic that has completely taken the fandom by storm - Starlight Glimmer herself. I was amongst those who sounded off against her redemption, but today, let's see how much my views on her have changed, shall we?

Oh, and before I begin, I'd like to say that I'll be splitting this post in two parts; one focusing on Starlight's roles since her debut, and the other comparing her to the other major villains (as in, threats to the good guys, and yes, that includes the EG villains).

Let's start off with this question; why is Starlight Glimmer given constant hate, even by the time of the season six finale? I've explained why in the past, but since that somehow isn't enough for some, perhaps I can summarize it like this; character development vs. lackluster writing.

First off, there's The Cutie Map. At the time of its release, it was highly praised for being different compared to the previous season premieres. It wasn't as "actiony" compared to, let's say, The Crystal Empire or Princess Twilight Sparkle, but it still understood how to tell a story, and it presented, at the time, one of the show's strongest morals.

Another reason the episode got praise was Starlight herself. Sure, she didn't have the most original of names, but what made her a unique villain was that instead of relying on brute strength or an army of her own, she relied on her intelligence. That, I feel, is something villains could use more often; who need muscle when you got a big brain?

Unfortunately, she crashed and burned as a character with The Cutie Re-Mark. Rather than repeat what I said in my After the Fact, I'll just link you to said review. To make a long story short, it was the point where My Little Pony began to lose some of its charm. At first, I figured, "oh, it's just a brief slump. I'm sure they'll get back on their hooves soon enough."

Except that it wasn't the case.

Instead of getting themselves out of the hole, they dug themselves deeper. Now, at this point, I'll only be focusing on the Starlight-centric episodes (or at least, feature her as a major/supporting player) in season six's story arc, so A Hearth's Warming Tail will not be considered.

The Crystalling was a very poor start to Starlight's character arc. They had this nice idea of reuniting her with Sunburst, as well as one for Flurry Heart, but they both suffer by being two episodes sloppily mashed into one, and the premiere as a whole suffered through sluggish pacing and a storyline that was creatively bankrupt from beginning to end.

It got worse with No Second Prances; again, Starlight making friends with a pony who went through similar problems is a good idea, but it's completely destroyed by Twilight's double standards to the point she's no longer in my Top 10 favorites. Not helping is that it's a blatant retelling of What About Discord, but then, that episode should never have been brought into production to start with.

For The Times They Are a Changeling - I think I may have missed this, but I could be wrong - Starlight doesn't openly welcome Thorax until Spike sings a "song" that not all Changelings were bad. Considering that she also went through similar problems the way Thorax did, why didn't Spike even think of introducing Starlight to him? Maybe then, she would've had a purpose.

Every Little Thing She Does was very much a dead on arrival retreading of Lesson Zero. Up to that point, the only pony Starlight has spent much of her time with was Twilight, and not the rest of the Mane Six, with (if he's counted as a member) the exception of Spike. However, if they did want Starlight to spend time with each Mane Six member, why cram it all into one episode when you could spread it out to five?

And then there's To Where and Back Again, which... I've moaned about enough already.

The point is, every time Starlight gets some degree of character development, there is a "but" immediately after, and because of that, fans may end up getting more frustrated than sympathetic with her. Every positive development for Starlight gets cancelled out by huge missteps in the writing; maybe if there weren't so many writers in one season or that there was quality control, perhaps fans like myself wouldn't be so annoyed by her presence.

Not only that, but Starlight's story arc was spread too thinly. Yes, we get that the Mane Six are the leading characters, and if you wanted to make Starlight a recurring character, fine, but there were better ways to get her to the point she's at! To Where and Back Again is supposed to be her big moment, but there were only four episodes (three if you consider The Crystalling as one episode) that actually connected to it, all of the aforementioned season six episodes barring Every Little Thing She Does.

In the season six overview, Dark Qiviut (that's his user name) commented that there should've been more focus on Starlight so we know she's part of the cast. Much as the thought sickens me to an extent, I can see his point; Trixie and Thorax had one episode each before the finale, but we don't see any onscreen development for either, making their presence feel forced at best. The same could apply to Discord, who's had no interaction with Starlight beforehand!

To Where and Back Again might've worked better if A) it was held back and aired much later in the show, or B) (the better one for Starlight in season six) there was more development for her character, as well as her interactions with Trixie and Thorax, and maybe an episode with her and Discord. Some fans would've still complained about Starlight, but at least there would've been development that wasn't out of the blue.

And that brings me onto the other major villains.

You've heard me say it before, but what the heck - Sunset Shimmer has gone strength to strength as a character. Sure, she might not be as "edgy" as she was in the first film, but she can still be badass whenever she wants to be, but nine times out of ten, Sunset's presence on screen almost brings a warm feeling in my heart, and she knows that she can't just brood over her mistakes constantly for seventy minutes (*coughcough*Sci-Twi*cough*)

Discord is regarded as one of the best reformed baddies of the show, and it's easy to see why; his wacky sense of humor, the voice provided by John de Lancie, and most of all, bags of charisma and personality. Because of that, it attracts you to him and makes him hard to dislike... well, possibly except for What About Discord, but let's move on.

As a surprising twist of fate in the season two finale, Queen Chrysalis is by far the most well-loved baddie who still (thankfully) hasn't been redeemed, especially since her heart is so black, she's one baddie you'd love to hate. Josh Haber and Michael Vogel both understood her and Discord (somewhat) in the season six finale, making them highlights to what's otherwise the worst episode of the show.

You might not agree, but King Sombra, when introduced, was pretty damn terrifying. He didn't speak much, but why did he need to? His presence alone or the mention of his name is enough to scare you!

The same could apply to Lord Tirek. He captured three princesses, manipulated Discord into working for him, and he blew up a library designed like a tree! No one's rooting for that, and that alone makes Tirek a badass you do not want to mess with.

The Dazzlings were great in Rainbow Rocks, and the songs they sing alone are why along with their seductive tones - you cling on to every lyric they perform, especially if they're performed by Adagio Dazzle.

The only uninteresting antagonist prior to Starlight was Nightmare Moon; she was so dull a villain in the premiere that she was barely in a quarter the episode she starred in.

As for Principal Cinch? Well, to be honest, she was probably the only new character out of Friendship Games with a certain degree of merit. She did have a reputation to uphold at Crystal Prep, and you know to hate her when she blackmails Sci-Twi (making the latter worse than she already is), but otherwise, Cinch is a bit... well, dull. That being said, at least she had more character than the Shadowbolts.

So compare all of them Starlight, and maybe you'll understand why people hate her. Most of the aforementioned baddies had motivation that's at least halfway-meritful (in Discord's case, he probably didn't need a motivation, as his primary objective was chaos), but Starlight's motivations were not so good, and I've explained why constantly.

I believe I read somewhere that Starlight's reasons for behaving the way she did in season five were a lot darker than what we got in the final product. Neglectful parents? Sunburst separated from her by a (supposedly) tragic accident? Anything would've sufficed! And maybe then, you'd have a reason to make us sympathize with her, and it would've left a less sour taste in our mouths.

That said, the only major villain worse than Starlight is Gloriosa Daisy, for reasons which I've explained in my Legend of Everfree review.

Overall, I do honestly believe there was potential for Starlight to be a great character, but sadly, her development has so far been let down by poor writing choices which leaves fans frustrated. If you still like her even after all the issues I pointed out, fine by me. Just don't go round throwing hissy fits because someone says something like "She's a Sunset clone, and so she sucks!" or something to that extent, and same applies to the reverse. Having differing viewpoints is fine as it makes us who we are, so why get into a petty fight over an opposing opinion? It's better to discuss opinions than to deride them.

Friday, November 25, 2016

Thomas and Friends: Season 20 Week 2

Has it been two months since I last did a Thomas-related post here? Wow! Since much of my focus lay with the rest of MLP's sixth season as well as Legend of Everfree (the less said about that "film", the better), and apart from planning reviews for The Great Race and a redo of Duck and the Slip Coaches, there weren't too many Thomas topics I wanted to discuss (well, there's that, schoolwork, and other writings in mind). But now that season twenty has resumed this week, I figured, why not tackle its second week of episodes, especially since they aired early in Canada? (And yes, I will get to the winter episodes on December 23.)

So, without further confusion or delay, let's start off by...

Episode 6: Saving Time
Written by Andrew Brenner
Well, what's a season without it's duds? Saving Time is the first, and the reason why? It moves. Too. Slowly. For example, Samson stops at a red signal, it turns green, and he continues on his journey. You could easily cut that out and it wouldn't change. Samson then struggles to climb Gordon's hill alone, we get it. Why even shove that down our throats?

Because of slow pacing, the humor is virtually non-existent. But there are good points like Thomas' cheekiness playing off Samson's stubbornness and pride, and it was nice seeing Sir Handel and Peter Sam have a role (now we need a full Skarloey Railway-centric episode! Oh, and one for the Arlesdale trio as well), especially in an era where Sir Handel's been neglected.

But that's it. Also, why is Bradford not working with Samson when it was established last episode that they work together? That would've improved the episode greatly.

Episode 7: Ryan and Daisy
Written by Davey Moore
And speaking of great improvements...!

The moment I heard about this episode, I looked forward to it, especially after watching The Railcar and the Coaches (we'll get to that soon enough) and knowing that Daisy and Ryan would be working together on the Harwick branchline at the end of Lost Treasure. And boy oh boy, did this episode deliver!

I love the railway technicals; it's clear that the timelines on the Harwick branchline not only affect the line itself, but other lines as well when Ryan is late for the quarry. That was great!

For Ryan himself, I'm a bit disappointed that Lost Treasure didn't go for him being over-confident and dismissive, but for this episode? It works, and that's what makes his dynamic with Daisy great. She is sly and manipulative (not in a devious way), and takes advantage of Ryan's niceness. That's his big character flaw - he's too nice, and Daisy knows it! And even though the "working together" moral has been done to death, it works for them as they're getting used to each other, plus it was sweet that Daisy does care for Ryan at the end.

And his voice? Yeah, I know Steven Kynman voices both Ryan and Paxton, and getting used to it, I can kind of hear the similarities (this will also affect all future episodes featuring him). I'll miss Eddie Redmayne's performance, but I get why he can't reprise the character since he's a big A-list actor (I've not seen Fantastic Beasts and Where to Find Them yet, but I hear it's great).

On whole, I love this episode to bits. The humor is great (especially with the Fat Controller's reactions), Ryan and Daisy play off each other brilliantly, and the morals were great - sometimes, helping others can do more hurt than good.

Episode 8: Pouty James
Written by Andrew Brenner
It's only this season where Henry is being given some respect, and if Henry in the Dark is anything to go by, it'd be fun to see him scare engines unintentionally. But who else gets flanderized to the point they're one-note?

Yep! James...

Why is it that every time James learns a lesson, he goes back to being a narcissistic idiot? In Philip to the Rescue, he lets Philip's over-enthusiasm get to him and he ends up crashing. It's also surprising that in this episode, the diesel boxcab shows more maturity, and he's supposed to be childlike! Not only that, but James' attitude is over-the-top. Sure, it would work better if this was season one, but the fact is, we're twenty seasons in! James should learn by this point not to let his ego get the better of him, but his attitude completely devalues what he'd learned in Toad's Adventure and Duck in the Water!

And, to be honest, that's very much the reason I don't like the Human Five in the Equestria Girls films. Sure, they were a great help to Twilight in the first film, but in Rainbow Rocks, they're back to childish, petty arguing, and from Friendship Games onward, they've turned into one-note caricatures of their pony counterparts, Legend of Everfree being the point they're non-existent until the end!

Back to Pouty James; the episode's killing blow is this bit of dialogue - "but not for long". So what you're saying is that James has learned nothing... which very much renders the episode as a whole completely pointless! You cut that line of dialogue, and the episode would have a point then! You can't just a teach a moral only to retract it! (On a side note, with 28 Pranks Later, I came very close to disliking Rainbow Dash, but thankfully, Top Bolt managed to salvage her character.)

You know the face the Fat Controller makes after James says "What? Oh! Sir?" That's how I feel about the episode as a whole, and James' attitude. So what if it features corny comedy with the faces? If an episode is bad, it's bad. End of.

Episode 9: Blown Away
Written by Helen Farrall
I don't know if it's just me, but I feel they went to George Harrison's solo discography when it came to picking the episode's title and then added an "N" in the middle. (Try saying that five times fast!)

Anyway, I like how Skiff got an episode to himself, and it was nice to expand on what became of him following Sailor John's arrest. Captain Joe seems like he could be an interesting character on his own, and it's great to see some human interaction. Duck and Oliver also play a good role; they tease Skiff at first, but after he saves them from crashing, they appreciate him for being there to help them out. However, why are the Slip Coaches silent?

How Skiff got himself upright is a bit ridiculous, but considering how intense the situation was, I can let it slide. The stormy scenes were great, and the music playing for the climax was intense. Of course, animation and music are standard by now, but how could I resist commenting about both? Not much else to say, really. A lot of my favorites overall have come from season 20 alone, and Blown Away is one of them.

Episode 10: The Way She Does It
Written by Andrew Brenner Davey Moore
I'll get this outta the way right now - STOP SHOEHORNING THOMAS IN WHERE HIS FUNNEL DOESN'T BELONG!! You could've easily replaced him with, I don't know, the Arlesdale trio and it wouldn't make a difference! Or, if you wanted to feature him, have it at Knapford where it wouldn't feel forced! (Although, to be fair, Annie and Clarabel making comments about Daisy's rudeness was pretty good.)

Okay, now that it's out of my system, let's talk about the episode itself. It's... interesting, to say the least. But does it do Daisy any favors? I think it does. If you hear of something you think will be big and grand, you may end up getting ideas above your head and not bother asking for the details. Plus, who knew that she was fluent in French?

I know some of you will want me to mention the thing that we all have a vendetta against, but for your sake as well as mine, I won't, because I don't care about that. The rest of the humor is, again, really good like Duck's comment to the audience (I think?), Daisy going past three stations at once, Stafford trying (and failing) to catch up to Daisy, and how she interacts with a bull, especially considering what happened in Bulls Eyes.

One other issue I have; why did they even bother with the word "steamie"?! (It's actually Scottish for a public wash house, not a steam engine.) The way the use the term is stupid, and it should stay well in the dark ages. Other than that issue, it's a good episode on it's own merit.

Thomas and Friends Season 20 Scorecard
1. Sidney Sings: 8
2. Toby's New Friend: 8
3. Henry Gets the Express: 10
4. Diesel and the Ducklings: 9
5. Bradford the Brake Van: 9
6. Saving Time: 3
7. Ryan and Daisy: 10
8. Pouty James: 1
9. Blown Away: 10
10. The Way She Does It: 8

Season Rating So Far: 76/100

Friday, November 11, 2016

My Little Pony Equestria Girls: Legend of Everfree

More than a month has gone by since its debut on Netflix (except for a week early Brazillian airing for... some reason), but at long last, I can now share my full opinion on the latest installment to the Equestria Girls spinoff, Legend of Everfree! I'm not gonna lie; this is gonna be one of my most interesting reviews to date...


It's fair to say that last year's entry, Friendship Games, was an underwhelming disappointment. That film had promise considering that two schools would be competing in the games, but instead, they were barely touched upon and focused way too much on Sci-Twi instead, and the other new characters (Principal Cinch, the Shadowbolts) had little to no development throughout. But now, we've reached Legend of Everfree, and would it make up for last year's disappointment?

If you want a short, blunt answer, absolutely not. I've seen it once, and I wish I hadn't. Legend of Everfree is absolutely stupid, even for a kid's movie! But where do I start with the problems?

First off, the film's "story" is terrible. It's a blatant rehashing of Do Princesses Dream of Magic Sheep. I'm not even kidding; the film even starts similarly to said episode with Sci-Twi having a nightmare, and she also avoids talking to other people (possibly except for Sunset) about her problems. Not only that, Sci-Twi's story arc very much copies from Rainbow Rocks point for point - why do we need like a hundred Rainbow Rocks-type stories in MLP? It's getting tired now! Unless they were trying to make Sci-Twi's story arc a half-baked two-parter...?

Actually, the whole movie is nothing short of being predictably cliched. If you've seen the first three beforehand, you'll understand what I mean; Gloriosa Daisy's Gaea Everfree form is basically a mashup of Demon Sunset and Midnight Sparkle from the first and third movies, and she even goes through a rushed redemption! On top of that, Gloriosa is just outright annoying, and she's a lame excuse for a villain - I mean, keeping students trapped just to keep camp going forever is perhaps the stupidest motivation any MLP villain has ever had! Heck, Starlight Glimmer had more merit to her motivations when she was a baddie!

Speaking of the first three, why do we need constant reminders as to what happened? We've seen what happens, so there's no point in making these references repeatedly. Unless you haven't seen the first film beforehand... well, I feel sorry for you, really.

And that brings me onto Sci-Twi (yes, I'm gonna refer to her as such just to avoid confusion with Princess Twilight). I didn't like how she was portrayed in Friendship Games (and they needed a Twilight for EG, because why not), but here? She was nothing short of a whiny, little crybaby! She's basically Starlight with Twilight's body (not that there's any difference between them, but that's beside the point), except Starlight isn't this pathetic! All Sci-Twi does is constantly mope that magic is bad or some crap, and again, her role is basically Luna's from the aforementioned Magic Sheep. Okay, so she does actually come out of her shell a bit, but sadly, it was too little too late to redeem her.

One of my regular Fandom Reaction contributors - Mattstonge44 - had his own issues concerning Sci-Twi's portrayal when it came to overshadowing everyone, even Sunset. Seeing the film for myself, I can see his point. I mean, Sunset has achieved far more than Sci-Twi has, but because all Sci-Twi did was mope, she's somehow rewarded with alicorn-like powers?! What kind of moral is that for children? It's like the "moral" in The Other Side of the Mountain where Thomas complains and moans until his wish comes true, which, frankly, is stupid, but I digress.

I find that absolutely heartbreaking; Twilight was my favorite when I first watched the show, but now? She's been treated like crap throughout 2016 and she's slipped down my favorites to the point she probably wouldn't even breach the Top 10. It's just... sad. Please; bring back the Twilight I loved - confident, selfless, brave. That wasn't what I saw in the film. The Twilight I saw was cowardly, selfish, and mopey. I didn't even see the Human Five either; they're one-dimensional and barely added anything to the film. Why must the writers constantly flanderize them to the point they're annoying?

Oh, and speaking of annoying... you're off the hook, Starlight Glimmer! Because Timber Spruce is now officially the worst character in all of MLP in general! He's not the type of character you love to hate like Quibble Pants, nor is he a comedic character like Discord. No, Timber Spruce is the type of guy who you want to whack in the face with a sledgehammer! He's arrogant, obnoxious, and just outright despicable in general! There's nothing to like about him (even when he confronts Gloriosa), and every time he opens his mouth, I want to put my fist in it. (I'm sure Brian Doe is a nice guy, but after ten minutes of listening to the jerk he voices, I've wanted to sew his lips shut.)

Not only that, his character arc leads to nothing; he wants to get away from Camp Everfree, which, to be honest, is somewhat relatable, but when the camp is saved, he very much chooses to stay there because... well, I don't know! All it does is render his role pointless (not that he had a purpose to start with), and he constantly hits on Sci-Twi because, again, I don't know, it was never made clear. It just leads to a stupid romance sub-plot that will go nowhere and he'll never be seen again after that film. Oh, and his near kiss with Sci-Twi is cringe-worthy.

There's a moment where Flash sees Sci-Twi with Timber... and I will say it right now; the development they gave Flash is forced and contrived on every level, and that scene exists purely to give him that development, regardless to any unfortunate implications this could lead to! Not helping is that it's also a half-arsed way to give "development" to Flash and Sunset's dynamic. Too little, too late - we're four films in! If they wanted to develop their relationship this far into the series, either it spawned out of a pointless throwaway in the first film, or the writers suck at developing subplots.

Yeah, after watching that film, I still won't ship FlashShimmer as a pairing, even if I was never a TwiSentry fan. The dynamic portrayed on film is simply terrible (and I've seen fanfiction that handle it better!) - I mean, Sunset tells him to get over his crush on Princess Twilight, and Flash... immediately does so. I've said it before, but that is not how this works! It takes time to get over a loss, and more than a conversation you could easily fix! That brings forth another unfortunate implication; does Princess Twilight still care for Flash, even after he upset her, despite it not being his fault? Oh, and Sunset very much leaves Flash to follow Timber Spruce, and her interactions with Flash are never brought up again, rendering any development he got pointless. Were they saying (unintentionally, I admit) that Sunset doesn't care for Flash, a person she slighted more than Sci-Twi, who she's just starting to know? All Sunset did to Sci-Twi was yell at her when she almost endangered the Games! Meanwhile, Sunset used Flash to gain popularity, and it got a very unsatisfying closure to the point she may be hurting him again without knowing it. In fact, I feel more sorry for Flash than I feel for Sci-Twi!

However, there's a line of dialogue Flash says that really frustrates me; he tells Sunset he knows when something's bothering her, and that leads to another problem. Before Legend of Everfree, he has never directly interacted with Sunset. Why does he choose now, of all times, just to rekindle with her? If we had a moment of them in the end credits for Rainbow Rocks, or a scene together in Friendship Games, I'd be more accepting. But instead, again, it comes off as a throwaway line in the first film. Pro tip the next time you write a 70-minute EG film - use that time to develop character dynamics. (And not just the Human Five, please!) If you want to see a dynamic similar to Flash and Sunset's, try Twilight and Moon Dancer's from Amending Fences; the story flows more naturally, the characters are made relatable, and it felt like an effective use of fan-service. If Legend of Everfree was their way of appealing to the FlashShimmer fans, they crashed and burned.

Also, can we put Flash in roles that don't involve romance in any way? A Banner Day was one of the more unique shorts and it showed what the writers could do with him as an independent character, and he interacted with two background humans! Sure, it might be seen as stereotypical and I wouldn't blame you for thinking that, but still, I thought it was interesting, and I'd take that over yaks being bullies any day of the week.

Back to Legend of Everfree, and further expanding upon Sci-Twi and Timber's so-called relationship, isn't that against regulations to date students? I don't care for how old Timber is, but since he is an employee at Camp Everfree, his "romance" with Sci-Twi is nothing short of creepy, and they constantly shove it down your throats! Say what you want about Flash's moments with Princess Twilight, but at least they were trying to be succinct without making it the main focus - oh, and Flash never comes off as self-absorbed, that's also somewhat important. On top of that, Sci-Twi is potentially in danger of a pedophile, and Sunset just seems to go with it and, again, doesn't seem to care for Flash, which is a red flag for her character development. It's a shame as the rest of her role, actually, is pretty good, but then again, she's always a highlight in anything Equestria Girls, so...

Also, Filthy Rich appeared for about a minute or two overall, and contributed nothing to the story. Moving on.

The fight with Gloriosa Daisy is, as I mentioned above, predictable. Granted, it was nice to give it a longer run time, but as for how it ends? How could Sci-Twi stop Gloriosa with one attack, and yet five girls threw more punches (both literal and metaphorical) and the villain didn't even flinch? Oh, and why is the villain female, again? We've had ten female antagonists (yes, including Sunset) within the past three films! Again, it's all getting tired; can we stop using those tropes?! (We even avoided villain redemption in Rainbow Rocks, for goodness' sake!) It also feels like that was done to make Sci-Twi good, despite that she constantly whined and moped beforehand! Again, people (yes, even myself) complain about Starlight's story arc...

But you where the film really falls apart? Not the cliched plot (although it is a contributing factor), not Flash and Sunset's poorly written dynamic, and it's not even the stupid romance! No, the film falls apart, because when the Human Five suggest a fundraiser to save Camp Everfree - like, ten minutes before the film ends - Gloriosa agrees to the idea, and hold it in the Crystal Cave... because that's where you hold galas...

Okay, I just have to ask; if Gloriosa was this desperate to save her family's camp, why did she not think about holding a fundraiser in the first place?! All this does is imply that Camp Everfree is run by a duo of incompetent siblings who can't slice bread to save their lives (not that one of them was likable to start with, but still), and it renders the entire film pointless in the long run! So yeah, everything building up to the climax is pointless, and if you reduced it to 44 minutes, it would still feel like pointless, cliched filler. The fact that they have a post-credits scene, further dragging the movie longer than it needed to, basically tells you "this was pointless; thanks for wasting 73 minutes of your life."

In fact, I've got a theory about this film; Friendship Games intended to give Sunset a subplot where she feels homesick for Equestria, but in the end, she decides to stay in the human world, and Sci-Twi goes back to Crystal Prep. In the final cut? Sunset's just... there, and Sci-Twi transfers to Canterlot High. Further, Legend of Everfree was produced whilst production was winding down on Friendship Games, and it was finished in August, less than two months before its Netflix debut. So, bottom line, Legend of Everfree was a last minute project because Hasbro and/or DHX forced Josh Haber to make changes to Friendship Games, and it came off as a film that even he doesn't like (and I don't blame him, to be honest). However, if he didn't like the final cut, why didn't he try making the end result cohesive? It's not like he was forced to make a bad film!

Would Legend of Everfree have fared any better if Friendship Games was released the way it was intended? Maybe, but sadly, we may never know because it feels like Hasbro and/or DHX would rather screw with fans rather than give them what they want. In fact, I wouldn't be shocked if DHX was somehow responsible for MLP's decline in quality...

As for the songs? I'm not gonna bother discussing them since they're just straight up generic and don't feel fresh at all. The only one that might be worth mentioning is "Embrace the Magic", and for Sunset's second solo number, it's actually pretty nice, but it does feel somewhat preachy at points (actually, I could say the same for every song in the film). That said, I still think "My Past is Not Today" is the best song in MLP, hooves down.

Final Thoughts
Sometimes in the film industry, a crisis may lead to great art. Inside Out managed to salvage Pixar's reputation after a slump during 2011-2013, and Blue Mountain Mystery felt like a step in the right direction for Thomas and Friends after seven years' worth of bad writing. But as for My Little Pony? Well, after the lackluster performance of season six, they dug themselves into a deeper hole with Legend of Everfree, and the film ranges from cringe-worthy to straight up appalling.

With a story so cliched and predictable, unsatisfying character dynamics and unfortunate implications abound, it's very much the worst movie I've ever had the misfortune of sitting through, and will ever watch (yeah, don't tell me I haven't heard of the likes of Battlefield Earth or Plan 9 from Outer Space; I'm not gonna bother with them as it's just not worth it).

Yeah, the animation looks great, and other technicals like voice acting and music are also spot on, but I don't care for that, as they're pretty much standard for anything MLP, not a freak accident. I look for good storytelling, something Joanna and Kristine somehow managed to forget for this film. And considering they also wrote Gauntlet of Fire and Top Bolt this year, this is a huge disappointment coming from them. They can write better than that.

I would've made suggestions on how to fix the movie, but I won't bother. Instead, I suggest watching Rainbow Rocks as the pacing is stronger, Sunset's redemption feels more natural, and the songs (well, most of them) are actually really good. Legend of Everfree is atrocious on every level and it was an absolute chore to sit through.

If it isn't Sci-Twi being a whiny crybaby, it's Flash and Sunset getting two scenes together for the sake of fanservice. If it's not that, it's Gloriosa Daisy being an incompetent camp counselor with terrible motivations. If it's not Gloriosa, it's Timber Spruce. If it isn't either of them, it's the plot being pointless, stupid, boring, and predictable. If it isn't that, it's the trope of bad guy redemption that they insist on pushing out, and has been overused since Crusaders of the Lost Mark!

Bottom line, Legend of Everfree is the worst movie ever made. I hope it rots.

Rating: -10 out of 10

Friday, September 9, 2016

Thomas and Friends: Season 20 Week 1

As the week draws to a close, we finally review the first five episodes of season 20! It's hard to imagine that Thomas and Friends would actually get this far; twenty seasons across thiry-three years of television, and with over 500 episodes by this stage (yes, Pack episodes included) along with ten hour-long specials, a mini special, and a feature length movie under its belt. We shall see in due time if season 20 is actually worth celebrating, but let's kick things off with the first five episodes!

Episode 1: Sidney Sings
Written by Lee Pressman
Ah, Sidney. Ever since he got a resolution for his absence in The Missing Christmas Decorations (which this episode shows stock footage of), he's done... very little. Here, he finally has something to do, and does it play off?

Yes, it does. I like how Sidney's job is to bring Percy his new wheels (whether intentional or not, I'm not sure, but whatever) and I feel Thomas' role made sense. Sure, it was minor as all he did was make a suggestion for Sidney to remember his task, but it made a huge impact. Sidney himself does feel like Dory from the Finding Nemo franchise, as many have said, and you can actually relate to him regardless of age, unlike, say, Henry Spots Trouble.

Not much else to say, really. A pretty good start to what seems to be a very promising season, and it's how a Nitrogen episode should be done. Although, why (in the UK, at least) does Whiff sound like he's got Henry's voice? He seriously needs a recasting for both dubs.

Episode 2: Toby's New Friend
Written by Andrew Brenner
It's fair to say that during season 19, Philip has since gained a mixed reputation among the fandom. Personally, I think he's a fine character, but yeah, his persona does need some tweaking (I mean, can you shut up about the time you beat Gordon in a race, Philip?!) and his role in The Great Race leaves a lot to be desired.

Other than that, I think it's another really good episode, and how Big Belle should've gone. Once again, Toby and Henrietta have that husband/wife relationship, especially when she teases him about Philip, and the workmen's reaction to the idea of the race was genius. Also interesting that Toby, whilst annoyed by Philip initially, is more subtle about it compared to Gordon and James.

Philip appears to be heading in the right direction when it comes to character development; keep playing him off against characters that won't pander to his childlike mannerisms... just because.

There are some issues like how on earth did Philip think Toby was a diesel? Being box-shaped I can understand, but thinking a steam tram is a diesel? And that near-collision between Philip and Thomas seemed rather illogical; is there no timetable for Thomas' branchline? The moral is pretty good that not everybody has to agree on everything just to be friends, and that I can understand greatly.

Episode 3: Henry Gets the Express
Written by Helen Farrall
I'm gonna say it right now; Helen Farrall is certainly Thomas' equivalent to Meghan McCarthy. Not that I've anything against Andrew Brenner's writing, but he's got storytelling issues he needs to work out after The Great Race ("Spoiler alert!" - Twilight).

I absolutely loved this episode to bits. Everything feels like it came out of the Railway Series, and Henry gets his best episode in who knows how long (about bloody time that he isn't portrayed as an idiot or a wuss!) Well, Henry does worry when Gordon gives him a confidence knock, but he gets back on his high horse when Thomas reassures him, so... phew! And Gordon's comeuppance, much like Slow Stephen, was very much laser-guided karma for him. So far, it's season 20's best episode, and is a joy to behold.

Episode 4: Diesel and the Ducklings
Written by Lee Pressman
Whilst I might not have much to say about Henry Gets the Express, I do have a fair amount to talk about with Diesel and the Ducklings. Whilst the former was almost universally praised, the latter is a little more... mixed. What do I think of it?

On first glance, you could be forgiven for thinking, "Oh dear; it's another Run of the Miller script in this era," and to some extent, you may have a point. Does the rhyming bother me? No, because - if you put it like this - it could be like the chanting you'd hear at a football match, like "2, 4, 6, 8, who do we appreciate? [Insert town/city name here]". "Rough and tough" is the diesels' equivalent. Well, the bad ones, anyway.

Diesel was fantastic throughout; his inner conflict was pretty good alternating between good and bad, but it comes to a head at Knapford when Diesel mocks Emily, under the influence of Arry and Bert (yeah, it kinda bothers me, but it's also funny how she reacted to Diesel acting nice under Thomas' presence).

Speaking of whom, was Thomas' appearance shoehorned? The answer is no; had it been Duck, him blackmailing Diesel, even if it was for payback, wouldn't really be the Great Western Way of doing things now, would it? Blackmail does seem to fit Thomas' style a bit more if you ask me. Arry and Bert, for their first starring role since season 16, were handled quite nicely, even if they didn't add much.

So on whole, I may be in the minority, but I liked this one a lot, as I can relate to it when I first got into MLP back in November 2013; I wanted to keep it to myself, but when my mother got wind of it (and eventually, my father) and I became more open about my interest over time, even if it's waned due to lackluster writing as of late.

Episode 5: Bradford the Brake Van
Written by Lee Pressman
A new brakevan character, huh? Interesting. But how does it play off? Amazingly well, in fact!

Even though this is his first episode, I think Bradford would make an excellent addition to the cast. He does act like Toad, if the GWR brakevan was more direct than polite, and if he's to be seen with Samson more often, they could make a great dynamic with Samson with the cabless engine's silly mistakes and the brakevan's strictness. Shame it had to be Thomas in the spotlight, but the episode the way it went was just fine.

Bradford himself is fantastic; Rob Rackstraw delivers that Welsh accent perfectly, and the design of Bradford alone is simply excellent. It's also interesting to how several engines were frustrated with his overzealous attitude, but why did all of them (barring Whiff) have to be Steam Team members?

I do have a couple of other issues, both concerning the Fat Controller; one, why did the Fat Controller not realize it was Bradford causing the engines to run late? And two, why did he say that safety was more important than running on time? Shouldn't both be equally important? I get that he'd be concerned about safety, but it makes the moral feel a bit muddy.

The episode could use a bit of a rewrite, but otherwise, it's a great episode on the whole.

Thomas and Friends Season 20 Scorecard
1. Sidney Sings: 8
2. Toby's New Friend: 8
3. Henry Gets the Express: 10
4. Diesel and the Ducklings: 9
5. Bradford the Brake Van: 9

Season Rating So Far: 44/50

Tuesday, September 6, 2016

Thomas and Friends Specials: Sodor's Legend of the Lost Treasure

Wow... I should've completed this a long time ago. What kept me from writing this up was laziness, other projects, and... some other third thing. But now, with only a week before The Great Race comes out in America on DVD, I figure it's high time I finished what I set out to write in the first place. So, without further confusion or delay, let's talk about Sodor's Legend of the Lost Treasure.

This post contains spoilers for The Great Race; reader discretion is advised.

Written by Andrew Brenner
Produced by Ian McCue
Directed by David Stoten
Released July 17, 2015
This special is a huge landmark in Thomas history; not only was it, along with The Adventure Begins, released for Thomas' 70th anniversary, but it also contained a few A-list celebrity guest spots, a grand orchestra, and a compelling story. Does it all pay off? Without a doubt, yes it does!

One of the special's strongest aspects is the storytelling; like Tale of the Brave, Lost Treasure's story is multi-layered, and none of it felt wasted... well, maybe except for a few aspects here and there, but still. Of the subplots, Marion's is my favorite, without a doubt. I love her interactions with Rex, Bert, and Mike (a reference to Small Railway Engines, I've no doubt), and it's funny to how she confuses the two Olivers, and the way it resolved itself was very clever. I do feel bad for poor Mike when he's left high and dry by Bert and Rex at the buffers of Marion (actually, no, I don't XD).

I feel like getting the songs out of the way early cause I don't feel it's fair to leave them for last. "Never Overlook a Little Engine" is perhaps my favorite song out of the Arc era (especially considering most of season 19's songs were rubbish, anyway), and the visuals almost remind me of the Yellow Submarine film. Am I the only one to think that?

"We Make a Team Together" is also fantastic and it plays twice; once when Thomas joins Sailor John and Skiff to look for the treasure, and at the end during the opening ceremony of the Harwick branchline. It's a bit of a shame that it's overshadowed by "Never Overlook a Little Engine", probably because of the visuals, the fact that characters are singing it, a combination of both, or some other fourth reason.

Ah yes, Sailor John; many people feel he's got what P.T. Boomer never did, and who am I to argue? Seriously, that guy makes Diesel look like cute and cuddly in comparison! Well, probably not his flanderized stereotypical villain role in the Thomas Creator Collective series, but I digress. John Hurt, for his sole guest appearance on the series, sounded like he was having a blast in the recording studio, as did Jamie Campbell Bower (who should be appearing in season 20, I presume) as Skiff. You can't help but feel sorry for the poor guy when Sailor John abuses him, telling him to be quiet, and even threatening to kill him! (No, that's not an exaggeration; this is dead straight - no pun intended.) Thankfully, Skiff gets his happy ending; too bad about Sailor John being arrested... :P

(Seriously, did you ever think that a Twilight actor would star in a kid's show? I sure didn't! But then again, we had a comedian who swore a lot to narrate the show in the classic era.)

But of the newbies for this special, my favorite is, without question, Ryan. I love the basis they chose for him, and Eddie Redmayne's performance was phenomenal. I've not seen his performance as Stephen Hawking in The Theory of Everything, but I hear it's a great film. It's a shame that it's the only time Eddie will be voicing Ryan, but I guess that's what makes his performance in Lost Treasure special.

And no, I've no issues with the idea of an N2 being painted purple. Otherwise, I'd be complaining about an E2 in blue; this is Thomas and Friends, so who cares if a livery is realistic or not?

Speaking of whom, I feel this is one of Thomas' best starring roles in the Arc era, and I don't say that lightly. It's loosely similar to his development in The Adventure Begins, but here, he causes trouble by accident because of his overconfidence rather than inexperience, and that further digs him into a deeper hole - metaphorically speaking, of course - and he completely loses the Fat Controller's trust.

As an aside, when it comes to animation, I've noticed that Thomas' number being covered up by dirt is practically a metaphor for losing his position as number one, and his pride being wounded, but when the dirt is washed off, it's a metaphor for rebirth or revival. Clever, isn't it?

That brings me onto the Fat Controller; people say he was too harsh on Thomas - I completely disagree on that front. Here's the thing - the Fat Controller is a father figure to the engines as he punishes them when they are naughty (or thinks that they were) and he rewards them when they're good. Some will say he went too far in his scolding when Thomas saved Ryan from the dynamite, but if you think about it, Thomas didn't tell Ryan about the bad coal from the old hopper, and that led to Ryan spouting sparks from his funnel, and that led to the dynamite catching fire, leading to a humorous hot potato scenario and a chase between Thomas and Ryan. Plus, the Fat Controller thought (from the car) that Thomas was trying to hurt Ryan on purpose and chewed him out even when Thomas tried to explain - he did try to say it wasn't his fault, but technically, even though his role in the scenario was minor, it was Thomas' fault, whether it was directly or indirectly.

So was he too harsh? No. I feel it was justified, and handled far better than The Great Race (and this is why I put the disclaimer near the top) - there, the Fat Controller somehow became an incompetent controller during season 20. When Thomas is away from his work, the Fat Controller simply asks him calmly if he's supposed to be on his branchline, doesn't investigate in full detail the accident at Knapford involving Thomas, the diesels and the trucks, and when Gordon nearly kills himself trying to win the actual Great Race, he just shakes his head and feels like a parent who didn't care that their child got hurt in a car crash! Who still lets him run the North Western Railway, especially as he won an award for his services in Spencer's VIP?! It felt as though Andrew Brenner took that criticism way too seriously and failed to come up with a compromise between the two extremes (and considering other problems The Great Race has got, that doesn't feel far-fetched).

Okay, back to Sodor's Legend of the Lost Treasure. Another interesting aspect is Thomas' respective relationships with Ryan and Sailor John. At the start (well, more like near the middle, really) Thomas doesn't trust Ryan as he thinks the N2 is replacing him, but he trusts Sailor John because he (Thomas) had an indirect contribution in helping the ex-sailor. Later, Thomas briefly feels smug when Ryan takes on the bad coal, but later feels bad for doing so; Ryan didn't deserve it as he was simply doing his job as an engine. Around that time, Thomas becomes more wary of Sailor John when he suspects someone else (Marion) has found the treasure instead of him, and when they later confront one another, Thomas refuses to let Sailor John touch the treasure and vows to stop him from doing so. At this stage, Thomas and Ryan have finally made peace, and Thomas realizes he should've trusted Ryan from the start. So, a multi-layered story is really driven by the characters written for it, and the moral about trust is handled brilliantly...

...but even the best stories can have their faults. One of them being a scene where Duck interacts with Donald and Douglas. What purpose does it serve, anyway? I mean, the scene with Marion, Oliver the engine, Toad, and the Arlesdale trio had purpose; Duck and the Scottish twins' scene does not, and Duck doesn't speak for the rest of the special after that, especially since they're close to his branchline! At least they weren't forgotten about like Reg, as there are bigger problems than that moment of fanservice...

Henry's little subplot is practically the weak link in the story's chain (again, I'm using metaphors to prove my point). In his review, The Unlucky Tug says that Thomas (once repaired) should've been in Henry's place instead, and that if Thomas heard the story of Captain Calles from Salty, then he'd have more reason to follow Sailor John and Skiff. Rewatching the film, I can see that, and I can't believe no one else thought of it (if you have but hadn't the time to say so, do leave a comment!), especially as Thomas follows them because... why not? Not only that, but Henry's subplot has no closure to it; is he still scared of Skiff? Will it be answered in season 20? (More on that later.)

Speaking of lack of resolution, Rocky takes credit for Thomas' discovery, but aside from a few comments of disgust from Thomas, it's never brought up again. Did the Fat Controller learn Thomas' side of the story whilst he was being repaired again? Was it Ryan who told the Fat Controller everything? I know there's a sixty-minute limit to these specials, but you can't leave little plot threads hanging like that! (I'm looking at you, Friendship Games; you and your poor treatment of Flash Sentry!)

Then we come to the usage of human interaction. Don't get me wrong, it's nice to see a human playing a major role, but why were Thomas' crew not involved whatsoever? Actually, that reminds me - in Unlucky Tug's aforementioned review, he points out there's a closeup shot of Thomas' driver as the chase (which is amazing up to that point) comes to a close - why?! Are they implying Thomas' crew was aware they were working for a pirate and didn't say anything? They should be treated more than just the engines' "hands", you know, especially since Gordon's driver scolded him for not trying in The Adventure Begins! Either the crews exist, or they don't; choose one idea and stick with it (preferably the former)!

As many people brought this up, it'd be criminal of me to leave this out, so how did Sailor John manage to steal the pirate ship to get away from Thomas? Does he use "magic" like Marion would think?

But for me, the biggest issues with the special have nothing to do with the film itself, but rather, they're more of an annoyance when it comes to both continuity and voice actors (this will also most likely affect future seasons and specials, by the way). This special takes place after season 19, but it was seemingly produced alongside it, and likewise, The Great Race is coming out on DVD the week after season 20 begins airing (or the same week, depending on whether you're from the US or the UK). Why would you release a special before the season it supposedly takes place after hasn't even finished airing? (I mean, Best Engine Ever seemed to hint at the special.) Now, this is what the chronological timeline for the Arc era supposedly is:

-The Adventure Begins
-King of the Railway
-Season 17
-Tale of the Brave
-Season 18
-Season 19
-Sodor's Legend of the Lost Treasure
-Season 20
-The Great Race
-Season 21
-2017 special

The voice actors are also an issue, at least for the UK; in season 19, Percy is voiced by Nigel Pilkington, but in Lost Treasure, his voice his done by Keith Wickham (a likewise case happens in Sidney Sings, but it doesn't hurt the episode as a whole, to be truthful). I know it's only one line of dialogue, but wouldn't it have hurt to have Nigel record one additional line for that special? (Also, where was Philip when the accident happened?) Not only that, but the changes to one of the voice actors for season 20 (this time, for both US and UK) is an issue; Daisy is voiced by Teresa Gallagher for one line each in Lost Treasure and The Great Race, but in season 20, she'll be voiced by Tracy Ann-Oberman. Can we have continuity with both specials and seasons, please? Especially when it comes to voice actors?

Okay, continuity nitpicks aside, I had seen the UK dub of this, and I'm gonna say it; when it comes to voicing Thomas, John Hasler > Joseph May. When Joseph voices Thomas, he sounds a little bored stiff like he'd rather be anywhere than the recording studio, but with John, he sounds more natural and British, like he should be. Also, Joseph can't sing; have you heard him performing "Streamling" for The Great Race? Yeesh. It also reminds me to why I hate the US voices to both Edward and Henry, even back in 2010; hearing them just makes me cringe.

There are plenty of tidbits throughout the special that I feel should get their own paragraph together; there's plenty of humor and action throughout, especially when Sailor John pouts, and the Rev. W. Awdry's cameo was a nice touch for the 70th anniversary. And there's also the humorous irony that after his office is redecorated in Goodbye, Fat Controller (assuming it is the season 19 finale), it's promptly destroyed by Sailor John. Daisy's appearance near the end was quite nice, but sadly it's spoiled because a screenshot of her and the other engines was leaked by a Chinese website (I'm presuming) before the special even came out, so it doesn't even make it a surprise anymore.

Final Thoughts
For all of its flaws, they're largely overshadowed by the positives. Sodor's Legend of the Lost Treasure is, without doubt, the best of the hour-long specials, probably the best Thomas special of all time. It feels like a feature-length movie throughout, and if it were fifteen minutes longer, it probably would be the closest we'd get to a second theatrical Thomas film. The humor and suspense were brilliant, it's just overall a great special, and if you ask me, no Thomas DVD collection would be complete without it.

Rating: 10 out of 10

Wednesday, August 24, 2016

Is Every Thomas Special Influenced by the Railway Series?

This post contains minor spoilers for The Great Race.

This is something that purely came to me whilst showering, and it's something that has been on my mind as people on Sodor Island Forums have noticed similarities between The Great Race and Thomas and the Great Railway Show. Then, I thought about every special to date (even the bad ones) in reverse chronological order - yes, even Magic Railroad - and believed that from the start, every Thomas special has had some level of Railway Series influence.

(Note: I'm discounting The Adventure Begins because it's a remake of RWS books rather than making subtle/blatant references about them. There might be some that I'm missing; I'd love to hear what you can come up with!)

The Great Race (2016)
Book #23: Enterprising Engines
Both involve Flying Scotsman in some capacity, and they feature him having a brotherly relationship with Gordon (although the special gives Scotsman more character than the book did).

Book #35: Thomas and the Great Railway Show
Both involve a Railway Show on the mainland; in the book, it was about engines on display, and in the special, it's about engines competing to see who's the best.

Sodor's Legend of the Lost Treasure (2015)
Book #22: Small Railway Engines Engines
Both feature the Arlesdale engines (at least, the original three) and rather than being shown how useful they are, they sing about their usefulness.

Book #34: Jock the New Engine
Again, both utilize the Arlesdale trio, but they also feature an engine screwing up (Frank and Thomas) and both engines work to redeem themselves.

Tale of the Brave (2014)
Book #21: Main Line Engines
Both feature Bill and Ben playing a major supporting role. They also feature one of the original seven (Edward and Percy) proving themselves when the big engines put them down harshly.

Book #33: Thomas and the Twins
Like the book, Thomas goes to Edward's branchline when a bridge on his undergoes repair and works with Bill and Ben.

King of the Railway (2013)
Book #20: Very Old Engines
Both utilize an engine built earlier than 1900 (Skarloey and Rheneas, Stephen). We even get flashbacks for both.

Book #32: Toby, Trucks and Trouble
An elderly engine (Stephen and Toby) is the primary focus. Both also end up in scrapes but get out of them (Toby derails at a level crossing, Stephen gets trapped in a mine).

Blue Mountain Mystery (2012)
Book #19: Mountain Engines
Both feature narrow gauge engines as a major focus (Skarloey and Culdee Fell Railways).

Book #31: Gordon the High Speed Engine
Both feature two diesels of the same class as supporting characters (Diesel and Paxton, Pip and Emma).

Day of the Diesels (2011)
Book #18: Stepney the "Bluebell" Engine
Both have a diesel as a threat to the steam engines in some capacity (Class 40 and Diesel 10).

Book #30: More About Thomas the Tank Engine
Both feature Thomas and Percy as leading characters, as well as a strain on their friendship.

Misty Island Rescue (2010)
Book #17: Gallant Old Engine
Both involve an engine getting stuck and they have to get out of that situation.

Book #29: Great Little Engines
Both involve an engine leaving Sodor, but they return by the end.

Hero of the Rails (2009)
Book #16: Branch Line Engines
Are there any similarities? All I can think of is that both feature a snobby character (Daisy and Spencer) as a major character.

Book #28: James and the Diesel Engines
Both feature an engine opposed to another engine (James to diesels, Spencer to Hiro), but by the end, the engine opposed to that other has their viewpoint changed.

The Great Discovery (2008)
Book #15: The Twin Engines
Both have an engine under threat - Douglas for fear of being scrapped, and Thomas for fear of being replaced by Stanley.

Book #27: Really Useful Engines
Both have tank engines as a leading focus (Thomas is joined by Percy and Duck in the book, and by Stanley in the special).

Calling All Engines (2005)
Book #14: The Little Old Engine
Both feature Rusty and involve steam engines being opposed to diesels.

Book #26: Tramway Engines
Both feature Mavis as a major character, and they involve a bit of steam/diesel rivalry (in the book, it's just Toby and Mavis, and in the special, it's more extreme).

Thomas and the Magic Railroad (2000)
Book #13: Duck and the Diesel Engine
Both have a diesel as the leading antagonist (Diesel and Diesel 10).

Book #25: Duke the Lost Engine
Both have a lost engine as a major plot point (Duke and Lady); the only difference is that Duke has some defined character and Lady kind of... doesn't.

General
Notice the pattern in the books referenced. Every special from The Great Discovery onwards references both a Wilbert book and a Christopher book, possibly until we get to the 2019 special, which would reference Tramway Engines (again) and Wilbert the Forest Engine. At this rate, the 2020 special will reference Thomas and the Fat Controller's Engines, and I presume both are anniversary-related.

By coincidence, every Thomas special (again, starting with The Great Discovery) is released 25 years after the Christopher book being referenced is published, most likely until 2021 with New Little Engine and (most likely again) James and the Diesel Engines. Also, if you subtract the smaller book number from the larger book number (38 minus 26, for instance), the difference is always twelve.

If we are to believe that the 2017 special will be referencing both Oliver the Western Engine and Thomas Comes Home (especially considering Oliver's cameos in The Great Race), then there's a chance that some of the following will happen: Duck and Oliver get major focus, Donald and Douglas and/or Daisy will have a small role (if you consider their upcoming roles in season 20), the special is branchline-centric and there's trouble on said line, there's a road rival on the loose, an animal making an appearance, weather trouble (rain or snow), and/or Thomas leaving Sodor for a while.

I don't know if I'm crazy or not, but I think I might've made a remarkable discovery in the Thomas fandom. What do you think?

Friday, August 12, 2016

Thomas and Friends: Thomas' Shortcut and Season 17 Overall

Here we are. We've finally reached the end of the line with the final episode of Thomas and Friends I'll be reviewing. (Don't worry; I will do season 20 when it comes out!) After two years, I've finally covered every episode of the show that has aired to date (I may do the specials I haven't covered at some point), even the ones I don't feel like doing. What better way to make a grand finale than Thomas' Shortcut?

Season 17, Episode 26
Thomas' Shortcut
Written by Andrew Brenner
Re-watching this episode again, I never felt the need to even pause once. It was definitely a modern day take on Thomas and Bertie the same way Old Reliable Edward was a modern day take on Edward and Gordon. The three-strikes formula had been used to good effect, and the accident was very entertaining, and would still be even with models (as long as the crash wasn't slowed down!) The whole thing feels like Awdry could've written it himself. A perfect closer to season 17.

Rating: 10 out of 10

Season 17 Overall
A fresh start for the show? It sure as heck was! In fact, this is definitely the strongest set of episodes since season six (seven and eight, as good as they were, did have a few pretty low lows) and it showed that Thomas was certainly in good hands. The animation is pretty good for a first season despite its ridiculous mistakes, but Arc did improve over time. I mean, compare season 17, visually, to how it looks in future projects:

See any changes to Thomas? You can draw your conclusions.
Also, times may or may not be approximate.
With Nitrogen, they didn't make any visual improvement with the models by Blue Mountain Mystery. Sure, the trains got longer, but that wasn't good enough. With Arc, they improve on visuals and lighting every season and special, and the above picture with Thomas throughout their tenure so far proves my point. It's sad that Arc filed for bankruptcy earlier this month, but I hope they can pull through. If not, then it looks like Thomas will have to move to a new animation company, and hopefully that will take the ball Arc blew up and ran with it.

Well, that does it for seasons 5-17! I've already gone through 1-4 along with the Railway Series, along with 18 and 19 when they were airing (in other countries in 19's case), so all I have to say is, bring on season 20 and The Great Race! Making tracks to great destinations!

Episodes Ranked from Worst to Best
26. The Frozen Turntable (3/10)
25. Steamie Stafford (4/10)
24. Scruff's Makeover (5/10)
23. Not Now, Charlie! (6/10)
22. Henry's Hero
21. The Phantom Express (7/10)
20. Kevin's Cranky Friend
19. No Snow for Thomas
18. Wayward Winston
17. The Thomas Way
16. The Afternoon Tea Express (8/10)
15. Luke's New Friend
14. The Lost Puff
13. The Smelly Kipper
12. Gordon Runs Dry
11. The Switch
10. No More Mr. Nice Engine
9. Away From the Sea (9/10)
8. Santa's Little Engine
7. Calm Down Caitlin
6. Percy's Lucky Day
5. Too Many Fire Engines
4. Gone Fishing
3. The Missing Christmas Decorations (10/10)
2. Bill or Ben?
1. Thomas' Shortcut

Season 17 Final Rating: 8/10

Wednesday, August 10, 2016

Thomas and Friends: Season 17 Poll Winners - Part 3

The last batch of episodes out of season 17 is finally here! After that, we're done with Thomas episodes (well, at least until October 2016).

Episode 2: Scruff's Makeover
Written by Lee Pressman
Eh, don't really care much for this one. When the synopsis came out I wasn't too big on it because I didn't like either of Scruff's starring roles in season 14. But for the episode for what it is? I think it's alright! It was handled way better than Thomas and Scruff, especially as there were no discriminatory implications involved. It does utilize the Status Quo is God trope as Scruff returns to his dirty state at the end... but he learns that appearances aren't so important. It also utilizes the three-strikes formula, but it doesn't feel as annoying and it shows Gordon being wise (I don't know if that was the intention, but it was a nice touch).

On whole, it's a bit on the meh side. Not terrible, but it isn't great either. Although Whiff could seriously do with some more starring roles - he's constantly overshadowed by Scruff!

Episode 6: Steamie Stafford
Written by Paul Larson and Laura Beaumont
Oh boy, is this one gonna be interesting! Some people call it the worst of season 17, but is it really that bad? That's what I'm gonna find out.

So the premise is that Stafford wants to be a steam engine (that's what I'm gonna use as the term "steamie" is just stupid). On paper, that sounds... rather dumb. From a child's perspective, it could be viewed as relatable as they will imitate other people as they are impressionable, but sometimes that can lead to trouble. That's actually not a bad idea for a premise.

In execution? It's very hit-or-miss. The "steam engine sounds" that Stafford were kind of childish, but I bet that Keith Wickham had fun in the recording studio (at least he didn't say "poop poop" :P). Also, how did Stafford travel longer distances than he did in his last episode and yet didn't run out of battery?

And yes, I'm gonna bring up Katie the sheepdog (as Wonky Whistle gave her that name, that's what I'm gonna go for) standing outside the brakevan. That's just dangerous! I know Arc was in their early stages, but even that is no excuse. Sure, the moral on being yourself is good, but in terms of execution, it's been done better in other episodes and specials.

Episode 11: The Lost Puff
Written by Davey Moore
Another controversial one - people love it because of its humor, but people hate it due to how silly it is. Let's see which side I go for, shall we?

DUCK! No, not the tank engine. I mean, like, an actual duck. Apparently, the Fat Controller's workmen aren't the sharpest tools in the shed, and it was a good way of showcasing that. Perhaps they should have their own spinoff...? Of course, that humorous bit at the start does play into the main conflict when Paxton doesn't listen to the Fat Controller's warning and ends up getting Thomas into an accident with Toby. That shows that actions can have consequences.

The moment where Stephen stares at Paxton in bewilderment was absolutely hilarious. Although I can't help but feel it feels like Twilight's face in Magical Mystery Cure when she realizes that things aren't fine in Ponyville. Take a look at this screenshot and you'll see what I mean. (See the similarities? You can draw your conclusions.)

Of course, this episode isn't without its flaws; why did Paxton still have his trucks attached to him when he said he was returning them to the shunting yards? I mean, they're just... there. And how did Thomas' fire get put out if the hosepipe was right next to him rather than ending up in his cab? Some will say that Toby felt out of character, but I don't really see it. How is it more out of character than playing a prank on Thomas with Percy and later laughing at the latter for being a "woolly bear"?

Having gone over this, I can confidently say that I liked this one. Sure, it might be seen as ridiculous, but I think it's good if you need a laugh or two.

Thomas and Friends Season 17 Scorecard
1. Kevin's Cranky Friend: 7
2. Scruff's Makeover: 5
3. Wayward Winston: 7
4. Gordon Runs Dry: 8
5. Calm Down Caitlin: 9
6. Steamie Stafford: 4
7. Henry's Hero: 6
8. Luke's New Friend: 8
9. The Switch: 8
10. Not Now, Charlie!: 6
11. The Lost Puff: 8
12. The Thomas Way: 7
13. The Phantom Express: 7
14. Percy's Lucky Day: 9
15. Bill or Ben?: 10
16. Too Many Fire Engines: 9
17. No Snow for Thomas: 7
18. Santa's Little Engine: 9
19. The Missing Christmas Decorations: 10
20. The Frozen Turntable: 3
21. Away From the Sea: 9
22. Gone Fishing: 9
23. The Afternoon Tea Express: 8
24. The Smelly Kipper: 8
25. No More Mr. Nice Engine: 8

Wait a minute! We've only reviewed 477 episodes! There's only one episode left for me to review, and that's the season 17 finale... Thomas' Shortcut! We'll see you then.

Monday, August 8, 2016

Thomas and Friends: Season 17 Poll Winners - Part 2

Here's the next batch of poll winners for season 17!

Episode 3: Wayward Winston
Written by Lee Pressman
It's fair to say that in Happy Birthday, Sir! and Blue Mountain Mystery, Winston received very little character development, being overshadowed by Paxton and the other newbies (yes, even Merrick). Would this episode fix that?

Well... sort of. Whilst he gets more screentime than the aforementioned Nitrogen productions, there are significant problems. For one, how did Winston move by himself if the Fat Controller didn't but the brakes on? Even if the throttle was at zero, it's still very illogical. And how would the gates just randomly open and close like that? It feels like they just make Bertie a butt monkey because... why not.

That said, I do like the Fat Controller's portrayal; he takes initiative when he sees the damaged track, but even he is prone to making mistakes when it comes to driving Winston, and he learns to take care in the end. The vibes of season two were quite nice, and they fit nicely with the moral - be careful what you wish for. (Take the hint, MLP fandom - take... the hint!)

Episode 5: Calm Down Caitlin
Written by Davey Moore
Now, this (and a few other episodes) aired before King of the Railway was released on DVD. Is that a problem? That sort of depends on the situation. In said special, Connor and Caitlin didn't do anything that impacted the plot so for me, at least with this episode, that doesn't matter, even though Ulfstead Castle is shown to be restored, but I digress.

As for the episode itself, I quite like it. A damaged bridge can lead to trouble for a railway, and it can have effects on passenger and goods trains. It was a nice touch to see Percy show some maturity when he asks Caitlin to show some consideration for everyone and their sleep. It was also mature of her to admit what she'd done wrong and realized that staying up late was probably not a the smartest decision she'd made (and I know what that's like). Oh, and did I ever mention how beautiful Sodor looks at night? Especially in CGI.

I like how the engines have reactions to Caitlin's antics such as the other engines silently urging Percy to let him give Caitlin his mail duties (I think) and Gordon's reaction to Henry giving the Kipper to Caitlin. ("Giving the Flying Kipper to Caitlin, Henry? That's suicide! It's a genius suggestion!" - Probably not what he was thinking; just a funny observation.)

Episode 9: The Switch
Written by Davey Moore
Considering how much people like the dynamic between Millie and Luke, I'm surprised this didn't get more votes, but I don't make the votes on my own polls now, do I?

The best thing that's got nothing to do with this episode itself is the lack of standard gauge engines, much less Thomas and the Steam Team. Why do they need to turn up all the time? There's other characters, you know. The plot feels a lot like The Prince and the Pauper (I haven't read the story, but I have seen other TV shows and/or films that reference the idea - i.e. Blackadder the Third) - however, the two engines are of totally different shapes and liveries. And yes, I'm mentioning the stare-off because you'll probably chew me out if I didn't.

One thing that was off-putting was Rheneas' attitude towards Millie. If this was Sir Handel (who'd only had one line of dialogue in Luke's New Friend), then I'd understand. But why Rheneas? Surely it wouldn't have hurt if he'd offered to be Millie's back engine? (That's for when Millie first struggles to pull her trucks, for the record.)

Thomas and Friends Season 17 Scorecard
1. Kevin's Cranky Friend: 7
3. Wayward Winston: 7
4. Gordon Runs Dry: 8
5. Calm Down Caitlin: 9
7. Henry's Hero: 6
8. Luke's New Friend: 8
9. The Switch: 8
10. Not Now, Charlie!: 6
12. The Thomas Way: 7
13. The Phantom Express: 7
14. Percy's Lucky Day: 9
15. Bill or Ben?: 10
16. Too Many Fire Engines: 9
17. No Snow for Thomas: 7
18. Santa's Little Engine: 9
19. The Missing Christmas Decorations: 10
20. The Frozen Turntable: 3
21. Away From the Sea: 9
22. Gone Fishing: 9
23. The Afternoon Tea Express: 8
24. The Smelly Kipper: 8
25. No More Mr. Nice Engine: 8